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Just don’t pick this one up for family movie night. This unexpectedly charming gore-fest may offend a large portion of its potential viewers with its over-the-top antics, but the movie is definitely worth a watch if you can stomach some of the worst (or arguably best) that the genre has to offer. The amazingly brutal effects and slick editing only highlight these qualities, as does the obligatory synth soundtrack, despite feeling a bit repetitive at times.ĭespite doing so many things right, Tonight She Comes isn’t for everyone. This might have something to do with archaic moral values still ingrained in modern society, but the film only uses this as a jumping off point for some of its most memorable moments. The oddly sinister antagonist is only further proof of this, as there’s something inherently unsettling about an exposed human body relentlessly chasing you around in the dark. Because of this, there will certainly be some viewers who’ll claim that the film is entirely lacking in the narrative department, but I think it’s clear that Stuertz’s unorthodox storytelling decisions were completely deliberate.
Tonight She Comes can be construed as an unconventional reflection on human sexuality through horror movies (especially when you take into account some of the recurring sexual themes and the extremely suggestive title), but it’s ultimately still a modern grindhouse flick, hell-bent on attacking all of your senses with likable but (mostly) paper-thin characters and a muddled plot. Stuertz’s stream-of-consciousness brand of storytelling results in a surprisingly clever fever dream of a film, that simultaneously makes you gag in disgust as it compels you to keep watching just to see where the insane story and visuals are going next. The structure sometimes suggests that the main characters are humorously stumbling into several unrelated horror flicks, but it somehow works. The story may get a little messy, but the film is almost constantly unnerving, not to mention fun, and never feels without purpose. Satanic cults, vomit-inducing rituals, and solid direction complement the copious amounts of horror movie references (with one especially blatant shout-out to the Friday the 13th franchise’s most iconic kill), making this one of the most bizarrely original horror movies in recent memory even as it plays with popular genre tropes.
While this brief summary may be reminiscent of several traditional slasher movies, this film is anything but. Thus, they must band together in order to survive her supernatural rampage, all the while dealing with mysterious strangers lurking in the woods. As the film counts down to midnight, this drunk and horny group of youngsters discovers that Kristy is stalking the surrounding woods, murdering everyone in her way. Tonight She Comes stars an ensemble of unfortunate youths (featuring Larissa White, Cameisha Cotton, Adam Hartley and Nathan Eswine) who are drawn to an isolated cabin where a young girl named Kristy (played by the dauntless Dal Nicole) disappeared. This peculiar phenomenon is why I can state that I immensely enjoyed Matt Stuertz’s Tonight She Comes, despite initial reactions of revulsion and shock. The myriad of emotions associated with horror movies are usually only pleasant in hindsight, as you fondly remember screaming and/or gagging in reaction to whatever traumatized you on-screen, even though these are obviously negative feelings.
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